Series 3
Alizarin Crimson
(No. 302)
Ⓥ VEGAN
Organic – Alizarin Crimson is the oldest synthetic, organic lake introduced in 1868, and the only lake of the coal-tar lake range to have survived in use until the present. Before the end of the 19th-century, other Lakes were found too impermanent, and some Amerian authorities frown on Alizarin because its lightfastness (II-III on the ASTM scale) doesn’t match that of more recent organic red pigments. But its clarity and subtly beautiful bluish undertones are unique; since its introduction, portraitists have prized its range of cool, rather smoky hues, which are well suited for Caucasian tones. If you have concerns about using Alizarin Crimson, try mixing transparent oxide red with magenta for “look-alike” oil paint, or use Alizarin Claret.
Colour Index | PR83 |
Drying | Slow |
Transparency | Transparent |
Lightfastness | Good |
Oil Content | High |
Tint Power | Medium |
Toxicity | Non-Toxic |
ASTM D-4236 | ✔ |
Series 3
Alizarin Crimson
(No. 302)
Ⓥ VEGAN
Organic – Alizarin Crimson is the oldest synthetic, organic lake introduced in 1868, and the only lake of the coal-tar lake range to have survived in use until the present. Before the end of the 19th-century, other Lakes were found too impermanent, and some Amerian authorities frown on Alizarin because its lightfastness (II-III on the ASTM scale) doesn’t match that of more recent organic red pigments. But its clarity and subtly beautiful bluish undertones are unique; since its introduction, portraitists have prized its range of cool, rather smoky hues, which are well suited for Caucasian tones. If you have concerns about using Alizarin Crimson, try mixing transparent oxide red with magenta for “look-alike” oil paint, or use Alizarin Claret.
Colour Index | PR83 |
Drying | Slow |
Transparency | Transparent |
Lightfastness | Good |
Oil Content | High |
Tint Power | Medium |
Toxicity | Non-Toxic |
ASTM D-4236 | ✔ |