
Burnt Umber
Inorganic - This is a version of Burnt Umber that has heavier and more red-brown undertones than the raw umber variant. This is the colour in its presentation from the last two centuries, invaluable for underpainting and showing a range of sandy pinks in hues.
Burnt Umber is a single-pigment Michael Harding oil colour made with PBr6 (Inorganic).
It is semi-transparent, excellent lightfastness, fast drying time, average tinting strength.
It is ground in linseed oil with average oil content.
- Code
- No. 126
- Series
- Series 1
- Pigment Index
- PBr6
- Pigment Type
- Inorganic
- Oil / Vehicle
- Linseed Oil
- Sizes
- 40ml · 60ml · 225ml, 1L, 2.5L, 5L
- Lightfastness
- Excellent
- Opacity
- Semi-Transparent
- Drying
- Fast
- Oil Content
- Average
- Tint Power
- Average
- Toxicity
- Non-Toxic
Measured colour data
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Tint · Tone · Shade · Glaze
Preview how Burnt Umber behaves when mixed, toned, shaded and glazed. Each swatch is computed from the masstone using a perceptual subtractive model - an approximation for guidance, not a formulation guarantee.

Burnt Umber straight from the tube.
A thin wash over white.
Mixed with Titanium White.
Mixed with a mid neutral grey.
Darkened with a chromatic black.
A thin transparent film over white.
Popular combinations
Open Burnt Umber in the Virtual Mixing Studio to preview how it combines with these partners before you reach for the palette.
Open Burnt Umber in Mixing StudioWhat pigment is used in Burnt Umber?
Burnt Umber is made with PBr6.
Is Burnt Umber a single-pigment colour?
Yes. Burnt Umber uses a single pigment (PBR6), so its behaviour stays consistent and predictable on the palette.
Is Burnt Umber transparent or opaque?
Burnt Umber is semi-transparent.
Is Burnt Umber lightfast?
Burnt Umber has excellent lightfastness.
Is Burnt Umber vegan?
Yes. Burnt Umber contains no animal-derived ingredients and is suitable for vegan artists.
Artist Reviews
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Colour Disclaimer: Colours shown on screen or in print may vary from the actual product. For the most accurate representation of colour, texture and finish, we recommend viewing a physical sample or swatch in person before making your final selection.

