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Michael Harding
Rose Blush - Michael Harding
Oil ColourPW6, PY42, PV19
PW6, PY42, PV19

Rose Blush

No. 254 · Series 2 · 40ml · 60ml · 225ml, 1L, 2.5L, 5L

Rose Blush (No. 254) Ⓥ VEGAN A soft, romantic pink composed of PW6, PY42 (Iron Oxide Yellow), and PV19 (Quinacridone Violet). With excellent lightfastness and a semi-opaque finish, Rose Blush offers moderate drying time and a gentle balance of strength and delicacy. Its organic/inorganic blend makes it ideal for florals, portrait work, and subtle transitions.

Technical Summary

Rose Blush is a multi-pigment Michael Harding oil colour made with PW6, PY42, PV19 (Organic/Inorganic).

It is semi-opaque, excellent lightfastness, average drying time, average tinting strength.

It is ground in linseed oil with low oil content.

Code
No. 254
Series
Series 2
Pigment Index
PW6, PY42, PV19
Pigment Type
Organic/Inorganic
Oil / Vehicle
Linseed Oil
Sizes
40ml · 60ml · 225ml, 1L, 2.5L, 5L
Lightfastness
Excellent
Opacity
Semi-Opaque
Drying
Average
Oil Content
Low
Tint Power
Average
Toxicity
Non-Toxic
Colour Science

Measured colour data

Pigment composition, masstone measurements, and tinting paths - independently measured and provided by Artist Pigments.

Pigment Composition
PW6
Titanium White
Titanium Dioxide · CI 77891 · CAS 13463-67-7 · EC 236-675-5
InorganicSynthetic
PY42
Yellow Iron Oxide
Natural Hydrated Iron Oxide · CI 77492 · CAS 51274-00-1, 20344-49-4 · EC 257-098-5
InorganicSynthetic
PV19
Quinacridone Violet
Quinacridone · CI 46500, 73900 · CAS 1047-16-1 · EC 213-879-2
OrganicSynthetic
Masstone
Measured masstone swatch
X-Rite i1Pro 3 · D50 · Obs 2
CIELab
L 59.36 · a 30.53 · b 20.9
Chroma / Hue
C 37.0 · h 34.39°
Munsell
7.58R 5.8/7.2
ISCC-NBS
moderate reddish orange
Transparency
SO
Lightfastness
E
Info Card
Rose Blush info card
Position on Colour Plane
CIELAB colour plane
CIELAB plane - interactive SVG available
Tinting Path - masstone → titanium white
Path plotted on CIELAB plane
Tinting path on CIELAB colour plane
StepLabelCIELabMunsell
0masstoneL 59.35 · a 30.49 · b 20.917.6R 5.8/7.18
1tint_1L 63.48 · a 29.31 · b 20.37.61R 6.21/7.01
2tint_2L 67.91 · a 27.15 · b 19.097.68R 6.67/6.52
3tint_3L 71.49 · a 24.85 · b 17.797.74R 7.03/6.09
4tint_4L 74.87 · a 22.33 · b 16.377.96R 7.39/5.44
5tint_5L 78.09 · a 19.63 · b 14.98.26R 7.72/4.79
6tint_6L 81.63 · a 16.39 · b 13.248.77R 8.09/4.06
7tint_7L 84.62 · a 13.41 · b 11.859.64R 8.41/3.42
8tint_8L 87.54 · a 10.28 · b 10.611.08YR 8.71/2.81
9tint_9L 90.32 · a 6.94 · b 9.823.45YR 9.0/2.21
10tint_10L 93.32 · a 2.84 · b 9.548.67YR 9.31/1.95
11tint_11L 95.95 · a -0.74 · b 9.35.78Y 9.58/2.4
Pigment Behaviour

Tint · Tone · Shade · Glaze

Preview how Rose Blush behaves when mixed, toned, shaded and glazed. Each swatch is computed from the masstone using a perceptual subtractive model - an approximation for guidance, not a formulation guarantee.

Masstone swatch
Masstone
L 59.36 · a 30.53 · b 20.9
7.58R 5.8/7.2

Rose Blush straight from the tube.

Undertone
#f8ece9

A thin wash over white.

Tint
#e1b0a6

Mixed with Titanium White.

Tone
#a88178

Mixed with a mid neutral grey.

Shade
#7d554f

Darkened with a chromatic black.

Glaze
#f3dcd8

A thin transparent film over white.

Where to buy

Rose Blush

Available from 114 verified stockists worldwide

Store locator
Rose Blush: Questions & Answers

What pigment is used in Rose Blush?

Rose Blush is made with PW6, PY42, PV19.

Is Rose Blush a single-pigment colour?

No. Rose Blush is a blend of 3 pigments (PW6, PY42, PV19), formulated to give a specific hue.

Is Rose Blush transparent or opaque?

Rose Blush is semi-opaque.

Is Rose Blush lightfast?

Rose Blush has excellent lightfastness.

Artist Reviews

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Colour Disclaimer: Colours shown on screen or in print may vary from the actual product. For the most accurate representation of colour, texture and finish, we recommend viewing a physical sample or swatch in person before making your final selection.

Product Information & Disclaimer

The information provided on this website is based on research and testing conducted by Michael Harding Art Formulas Ltd and is intended as general guidance on the characteristics and potential uses of our products in established painting practices.

While we take care to provide accurate and reliable information, individual materials, techniques, working conditions and applications can vary. Michael Harding Art Formulas Ltd cannot guarantee that any product will be suitable for every individual purpose or application. Users should carefully read all product labels, instructions and safety information and carry out appropriate testing before use, particularly when developing individual techniques or combining materials.

To the fullest extent permitted by applicable law, Michael Harding Art Formulas Ltd makes no express or implied warranties as to merchantability or fitness for a particular purpose and accepts no liability for any loss or damage, including indirect or consequential loss, arising from the use or application of its products.

Colour Representation

Colours displayed on this website and in printed materials are for guidance only. Their appearance may vary depending on screen settings, device, lighting conditions, printing processes and other factors, and may therefore differ from the appearance of the physical product.

For the most accurate representation of colour, texture and finish, we strongly recommend viewing a physical product sample or swatch in person before making a final selection or purchase. Where colour accuracy is important, please do not rely solely on digital or printed representations.

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