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Michael Harding
Ultramarine Blue - Michael Harding
Oil ColourPB29
PB29

Ultramarine Blue

No. 113 · Series 1 · 40ml · 60ml · 225ml, 1L, 2.5L, 5L

Inorganic - No. 113 is an obviously beautiful mid-blue. The discovery in the 1820s of a Sodium Sulphosilicate compound, which had appeared as a mysterious blue deposit on soda-ash furnaces, was a liberating moment for financially challenged artists everywhere. Up to then the only available version of this compound was the often-unobtainable Lapis Lazuli ore, mined in Afghanistan. Ultramarine has a high tint power, and our chosen shade produces strong green shade blue hues and makes wonderful violets with Magenta and the red Lake colours. It is also useful in greens and greys. The only chemical weakness is a recorded sensitivity to atmospherically borne acids, which can bleach it out. Ultramarine Blue is one of the more difficult paints to make, as it forms an intractable runny syrup when first ground into oil, which must then be stabilized with a small amount of wax.

Technical Summary

Ultramarine Blue is a single-pigment Michael Harding oil colour made with PB29 (Inorganic).

It is transparent, excellent lightfastness, average drying time, average tinting strength.

It is ground in linseed oil with average oil content.

Code
No. 113
Series
Series 1
Pigment Index
PB29
Pigment Type
Inorganic
Oil / Vehicle
Linseed Oil
Sizes
40ml · 60ml · 225ml, 1L, 2.5L, 5L
Lightfastness
Excellent
Opacity
Transparent
Drying
Average
Oil Content
Average
Tint Power
Average
Toxicity
Non-Toxic
Colour Science

Measured colour data

Loading measured pigment data…

Pigment Behaviour

Tint · Tone · Shade · Glaze

Preview how Ultramarine Blue behaves when mixed, toned, shaded and glazed. Each swatch is computed from the masstone using a perceptual subtractive model - an approximation for guidance, not a formulation guarantee.

Masstone swatch
Masstone
L 20.14 · a 6.33 · b -15.79
8.77PB 2.0/3.5

Ultramarine Blue straight from the tube.

Undertone
#d4e0f3

A thin wash over white.

Tint
#698acb

Mixed with Titanium White.

Tone
#4c6494

Mixed with a mid neutral grey.

Shade
#24396c

Darkened with a chromatic black.

Glaze
#b4c8e9

A thin transparent film over white.

Compare Ultramarine Blue

Compare with nearby colours

See Ultramarine Blue side-by-side with its closest neighbours in the range — chemistry, opacity and lightfastness at a glance.

Mix with Ultramarine Blue

Popular combinations

Open Ultramarine Blue in the Virtual Mixing Studio to preview how it combines with these partners before you reach for the palette.

Open Ultramarine Blue in Mixing Studio
Where to buy

Ultramarine Blue

Available from 112 verified stockists worldwide

Store locator
Ultramarine Blue: Questions & Answers

What pigment is used in Ultramarine Blue?

Ultramarine Blue is made with PB29.

Is Ultramarine Blue a single-pigment colour?

Yes. Ultramarine Blue uses a single pigment (PB29), so its behaviour stays consistent and predictable on the palette.

Is Ultramarine Blue transparent or opaque?

Ultramarine Blue is transparent.

Is Ultramarine Blue lightfast?

Ultramarine Blue has excellent lightfastness.

Is Ultramarine Blue vegan?

Yes. Ultramarine Blue contains no animal-derived ingredients and is suitable for vegan artists.

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Colour Disclaimer: Colours shown on screen or in print may vary from the actual product. For the most accurate representation of colour, texture and finish, we recommend viewing a physical sample or swatch in person before making your final selection.

Product Information & Disclaimer

The information provided on this website is based on research and testing conducted by Michael Harding Art Formulas Ltd and is intended as general guidance on the characteristics and potential uses of our products in established painting practices.

While we take care to provide accurate and reliable information, individual materials, techniques, working conditions and applications can vary. Michael Harding Art Formulas Ltd cannot guarantee that any product will be suitable for every individual purpose or application. Users should carefully read all product labels, instructions and safety information and carry out appropriate testing before use, particularly when developing individual techniques or combining materials.

To the fullest extent permitted by applicable law, Michael Harding Art Formulas Ltd makes no express or implied warranties as to merchantability or fitness for a particular purpose and accepts no liability for any loss or damage, including indirect or consequential loss, arising from the use or application of its products.

Colour Representation

Colours displayed on this website and in printed materials are for guidance only. Their appearance may vary depending on screen settings, device, lighting conditions, printing processes and other factors, and may therefore differ from the appearance of the physical product.

For the most accurate representation of colour, texture and finish, we strongly recommend viewing a physical product sample or swatch in person before making a final selection or purchase. Where colour accuracy is important, please do not rely solely on digital or printed representations.

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