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40 New Anniversary Oil Colours - Now Available Explore Collections

Michael Harding
All Pigments
Colour Index Code

PW1

Lead White / Flake White

Chemistry
Basic lead carbonate
Origin
Synthetic.
History
The traditional Old Masters' white - fast-drying and flexible; now restricted in many regions.
Toxicity
Toxic (lead).

Lead White / Flake White (PW1) is Basic lead carbonate.

Lightfastness
Excellent
Toxicity
Contains toxic pigment
PW1: Questions & Answers

What is PW1?

PW1 (Lead White / Flake White) is Basic lead carbonate. Synthetic..

What is the chemistry of PW1?

PW1 is Basic lead carbonate.

Is PW1 toxic?

Toxic (lead).

Is PW1 lightfast?

In the Michael Harding range, colours using PW1 are rated excellent for lightfastness.

Which Michael Harding colours use PW1?

PW1 appears in 4 Michael Harding colours: Cremnitz White in Walnut Oil, Cremnitz White in Linseed Oil, Foundation White, Stack Lead White.

Pigment History

The story of PW1

The most historically important white, and still prized for its handling and drying - though now restricted in many regions because of its toxicity.

How it is made

Lead white is made by exposing metallic lead to vinegar fumes and carbon dioxide in a sealed stack - a slow corrosion that flakes off as the white pigment. Ground in linseed oil it produces a flexible, fast-drying, ropey film prized by conservators; Michael Harding offers genuine Cremnitz and Flake whites for painters who want that traditional handling.

In the hands of the masters

Lead white is the white of the entire Western canon - every Old Master from Titian to Rembrandt to Vermeer built their lights and draperies on it. Its quick drying and ropey handling made the impasto and glazing of the Baroque possible.

Origin
Synthetic - basic lead carbonate, made since antiquity by the slow "stack" or Dutch process.
Chemistry
Basic lead carbonate, a synthetic inorganic white.

Michael Harding colours using PW1

4 colours across both rangesLightfastness: ExcellentContains toxic pigment
Michael Harding colours containing PW1, with medium, transparency, lightfastness and granulation. Granulation applies to watercolour only.
ColourMediumTransparencyLightfastnessGranulation
Cremnitz White in Walnut Oil
No. 307
OilSemi-OpaqueExcellent—
Cremnitz White in Linseed Oil
No. 308
OilSemi-OpaqueExcellent—
Foundation White
No. 225
OilOpaqueExcellent—
Stack Lead White
No. 703
OilOpaqueExcellent—
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Pigments in the same family

Mix with

Complementary pigments to mix with PW1

Opposite-family pigments that pair cleanly with PW1 for neutrals, shadows and chromatic greys.

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Product Information & Disclaimer

The information provided on this website is based on research and testing conducted by Michael Harding Art Formulas Ltd and is intended as general guidance on the characteristics and potential uses of our products in established painting practices.

While we take care to provide accurate and reliable information, individual materials, techniques, working conditions and applications can vary. Michael Harding Art Formulas Ltd cannot guarantee that any product will be suitable for every individual purpose or application. Users should carefully read all product labels, instructions and safety information and carry out appropriate testing before use, particularly when developing individual techniques or combining materials.

To the fullest extent permitted by applicable law, Michael Harding Art Formulas Ltd makes no express or implied warranties as to merchantability or fitness for a particular purpose and accepts no liability for any loss or damage, including indirect or consequential loss, arising from the use or application of its products.

Colour Representation

Colours displayed on this website and in printed materials are for guidance only. Their appearance may vary depending on screen settings, device, lighting conditions, printing processes and other factors, and may therefore differ from the appearance of the physical product.

For the most accurate representation of colour, texture and finish, we strongly recommend viewing a physical product sample or swatch in person before making a final selection or purchase. Where colour accuracy is important, please do not rely solely on digital or printed representations.

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